Kai Hellberg
REVIEW: ‘KOD’ by J. Cole is a rushed, fragmented composition
REVIEW: ‘Confident Music for Confident People’ unique but perhaps too strange
REVIEW: The Weeknd has officially stopped trying with ‘My Dear Melancholy’
REVIEW: ‘Itzhak’ documents violinist’s storied career but lacks tension
REVIEW: Nils Frahm executes captivating one-man performance
REVIEW: ‘No Fool Like An Old Fool’ fails to stand out from indie-folk crowd
REVIEW: ‘Felt’ by Suuns makes the most out of minimalist instrumentation
REVIEW: ‘Early Man’ a lighthearted comedy for soccer fans and haters alike
