From Brecht to Rabe, an anti-war sentiment penetrates twentieth-century dramatic literature. Originally composed more than 50 years ago, Beckett’s ‘Waiting for Godot’ confronted the pressing issues of a post World War II world. Now at the beginning of the 21st century, as the one remaining superpower braces for war, it is frightening to watch the New Repertory Theatre’s production of Beckett’s tragi-comedy.

‘In these times it is important to revisit the profound questions Beckett asks us to consider,’ said New Rep’s Producing Artistic Director Rick Lombardo. ‘We live in a time with considerable questions, and with the very seductive danger of adapting easy answers. Beckett writes a play with no answers, and yet brings us face to face with the deepest issues of life, and demands that we laugh at our condition. ‘Godot’ cuts to the core of our being and the core of our funnybone at the same time.’

In this play nothing happens, twice. Vladimir (Austin Pendleton) and Estrogon (John Kuntz) are waiting on the side of a barren road by a willow tree for Mr. Godot. In order to pass the time, the two argue, play, and contemplate suicide. Although Pozzo (Ken Baltin) and Lucky (Bates Wilder) provide brief moments of entertainment for the two tramps, Godot never makes an appearance, and the two continue to search for sources of amusement.

A combination of illuminating direction and passionate acting makes the New Rep’s production entertaining and thought provoking. Lombardo’s direction yields a widely accessible play while also cleverly and subtly exposing the danger of our current situation in world politics. Pendleton and Kuntz work especially well together as Vladimir and Estrogontheir energy that drives the production. The two expose new comedic dimensions of the play, while striking the difficult balance between tragedy and comedy. Baltin and Wilder also offer fresh takes on their characters. Baltin boldly exposes the flamboyant side of Pozzo, and Wilder depicts the more intense aspects of Lucky.

Although the New Rep will be relocating to the new Visual and Performing Arts Center planned to open in Watertown in the near future, the current space offers a quaint and intimate setting that only enhance the production. In addition, Hector Fernandez’s set design, Karen Perlow’s lighting design and Frances Nelson McSherry’s costume design work well in this space, with these actors and with this director. The spare set and harsh lighting expose the stark themes of the play, while the costumes emphasize the unique traits of each character.

‘Waiting for Godot’ runs through Feb. 9. The New Repertory Theatre is located in the Newton Highlands Congregational Church at 54 Lincoln St. right near the Newton Highlands stop on Riverside D Line. Tickets may be purchased by contacting the Box Office at 617-332-1646, by e-mail at [email protected], or online at www.newrep.org.