Condé Nast’s merge with champion music publication Pitchfork threatens to kill the spirited focus on the underground music scene that made Pitchfork worth reading.
Interpol was once a post-punk band. Their first two records, 2002’s classic Turn on The Bright Lights (Matador) and 2004’s Antics, showed a reverence for 80s post-punk pioneers such as Joy Division,...
