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The Independent Student Newspaper at Boston University

The Daily Free Press

The Independent Student Newspaper at Boston University.

The Daily Free Press

The Daily Free Press

Melissa Park | Associate Graphics Editor

We can’t all be Cher — but that shouldn’t stop musicians from trying | Dancing with Myself

By Josh Rosenthal April 8, 2025
During a recent late-night Wikipedia dive, I was surprised to learn that Charli XCX — fresh off the massive recognition of “Brat” — has not one, not two, not three but seven appearances in films set to be released in the near future. These upcoming projects include fantasy film “100 Nights of Hero” and erotic thriller “I Want Your Sex” from queer icon Gregg Araki. She’ll also appear in “The Gallerist,” which features the likes of Natalie Portman and Jenna Ortega.
Emma Clement | Senior Graphic Artist

Feminist cinema: Representation vs. relatability | Still Rolling

By Ada Sussman, Opinion Co-Editor November 12, 2024
This is not to understate the value of representation or the importance of advocating for more minority filmmakers. In fact, it’s quite the opposite. If relatability politics take precedent in the industry’s current state of homogeneity, the limited diversity that we are already privy to will become almost obsolete. In order to counter this, we need to advocate for the elevation of more voices in Hollywood while simultaneously discouraging the superficiality of representation at face-value.  
Lila Baltaxe | Senior Graphic Artist

Horror in the bathroom: The power of the shower, mirror and sink | Still Rolling

By Ada Sussman, Opinion Co-Editor October 29, 2024
Because the bathroom can manifest the greatest threats, the space holds a great deal of social power in shaping our biases. Films that use an exterior threat to destroy the bathroom’s intimacy often frame the encounter through a lens of innocence of predation. In “A Nightmare on Elm Street,” Nancy falls asleep in the bathtub, leading to the famous shot of Freddy Krueger’s knifed gloved hand emerging from the water between her thighs, implying a physical or sexual violation of her body. 
Emma Clement | Graphic Artist

How I learned to fear the horror streaming bubble | You Scared Me!

By Josh Rosenthal October 16, 2024
The streaming era of horror is starting to wear me down. With Halloween looming closer, both the Sarah Paulson-led “Hold Your Breath” and body-swap blast “It’s What’s Inside” debuted exclusively on Hulu and Netflix, respectively, this October — despite holding their world premieres at Toronto International Film Festival and Sundance. This furthers a recent trend of horror movies bypassing theaters altogether and getting sent straight to streaming — making a select few festival audiences some of the only people to experience these films on the big screen.
Lila Baltaxe | Senior Graphic Artist

Everyone’s a critic, let’s keep it that way. | Still Rolling

By Ada Sussman, Opinion Co-Editor October 15, 2024
Film criticism likely developed this reputation because of its unique position as an academic discipline that exists in such close proximity to mass consumer interests. Critics have existed for almost as long as film has, and it's impossible to conceptualize an industry without them. But, a critic’s proficiency in the history and formal language of a populist media may put them in opposition to public taste. 
Emma Clement | Graphic Artist

‘Like Dylan in the Movies’: Pop music on screen

By Ruby Voge, Opinion Co-Editor October 9, 2024
A good soundtrack can elevate a mediocre movie into something better and bring an already great movie into the realm of a masterpiece. Listen up for five films that feature soundtracks worthy of enjoyment after the credits roll.
Iris Ren | Graphic Artist

Which 1999 movies are worth revisiting 25 years later?

By Ruby Voge, Opinion Co-Editor September 30, 2024
While there may be the occasional fluke, like last year’s Barbenheimer phenomenon, the relevance of movies to the public has quickly declined over the past two decades as film fanfare lessens. It’s a different world than 25 years ago, in 1999, when the movie industry held pop culture in the palm of its hand. 
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