When the lights dropped after the openers’ — Blood Orange and The Japanese House — performances, the energy in the room shifted drastically. The rumble of "Hammer" filled the venue, and then the woman of the hour stepped out, wearing ripped mid-wash jeans slouched over visible Calvin Klein boxers and a navy cropped tee, with her hair loose in her face.
When people ask me to describe Mt. Joy, I typically respond with something along the lines of “if Hozier and the Lumineers had a baby, that’s what you would get.” And, their performance at TD Garden on Sept. 20 solidified this notion for me more than ever.
Brooklyn-based singer-songwriter Sabrina Song captivated the hearts of the audience in the Red Room at Cafe 939 on Nov. 22 as she opened for indie-pop artist Carol Ades.
Back in 2021, Odie Leigh, a singer-songwriter from Baton Rouge, Louisiana, posted a song she wrote on TikTok, and it went viral. It’s a common story that usually spells one of two fates for budding stars: a one-hit-wonder rise and fall, or a quick skyrocket to stardom. For Leigh, the answer was somewhere in between.
Pop artist Kim Petras stopped at Fenway’s MGM Music Hall Saturday night while touring for her debut studio album, “Feed the Beast,” which came out June 23.
Three months ago, my friend and I found Sik-K’s Boston concert a big surprise. A Korean hip-hop artist with enough fan base and funds to perform in other northeast cities besides New York City excited me.
Before Travis Scott even set foot on one of his two stages Sunday for his “ASTROWORLD – Wish You Were Here” tour, everyone in the crowd knew that they were in for a wild ride.
The Wombats took to the stage at House of Blues Wednesday night with an un-memorable performance that pleased fans but underwhelmed other audience members.
The Goo Goo Dolls brought their iconic sound to Boston’s House of Blues to the delight of a sold-out crowd Wednesday night. Celebrating the 20th anniversary of their album “Dizzy Up the Girl,” the band stirred up two decades’ worth of nostalgia into a night full of sing-alongs, enthusiastic guitar solos and even a digital clone of frontman John Rzeznik.
The crowd trickled in as anticipation filled the air at Brighton Music Hall Friday night as young fans awaited the entrance of Australian singer-songwriter Dean Lewis. Older fans came out to see Lewis, as well, and were sprinkled amongst the younger audience. Purple lights filled the darkness of the crowded room.
