
Reimagining Hollywood: The rise of indie film
By Isabella Laikin
• March 21, 2025

An ode to Audrey Hepburn | It’s All Been Done Before
By Erica Schwartz
• March 5, 2025

‘A Complete Unknown’ keeps Bob Dylan a mystery
By Ruby Voge, Opinion Co-Editor
• February 7, 2025

‘Monkey Man’ is an adrenaline-pumped act of defiance
By Ada Sussman, Opinion Co-Editor
• April 17, 2024

How Hollywood’s “babygirls” subvert toxic masculinity
By Lea Rivel
• February 1, 2024

Revisiting “Yentl”: Queering an ‘80s classic
By Lina Barclay
• November 26, 2023

Don’t ruin the destination in ‘The Sixth Sense’ | The Revival House
By Katie Harmon
• November 6, 2023

Ben Stiller arrives at BU, inspires ‘new voices’
By Daisy Levine
• October 10, 2023

Movie adaptation of books equally creative as they are necessary to storytelling | Editorial
By Editors
• September 18, 2023

The Laemmle legacy: Arthouse theater prevails despite the pandemic
By Anjali Byju
• April 20, 2023

Welcome to the Ozempic era. | On the Record
By Addison Schmidt
• March 31, 2023

The nepo-baby boom: Can we shut up already? | Cultspiracy
By Kim Schneider
• March 23, 2023
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